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Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Sunday, 11 September 2016

Review: The Da Vinci Code (abridged edition) by Dan Brown


History professor Robert Langdon receives an urgent late-night phone call while on business in France: the curator of the Louvre in Paris has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes and need Langdon's help to decipher them.

When Langdon and a French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they find a trail that leads to the works of the famous artist and inventor Leonardo Da Vinci. As the clues unfold, Langdon and Neveu must decipher the code and quickly assemble the pieces of the puzzle before a stunning historical truth is lost forever . . .







I know it can be a controversial thing to say in some literary circles, but I am not ashamed to admit I am a fan of Dan Brown's Robert Langdon books, especially Angles and Demons and The Da Vinci Code. I have loved stories about quests for lost historical and archaeological items ever since I saw Raiders of the Lost Ark at the cinema as a child, and if they have a dose of conspiracy thrown in then you've snagged my attention right away. 

Of course, I'm not blind to the fact that Brown is not a particularly great writer, but I do believe that at his best he is a damn fine storyteller. I was therefore intrigued and also a little confused when I read some time ago that there were plans to release an abridged version of The Da Vinci Code, specifically aimed at young adults: intrigued as to how an abridged version might compare with the original and confused as to why this was being done. Having now read a copy of the abridged version, I am sorry to say that I am still no less confused, although as it is a few years since I last read The Da Vinci Code I was still able to enjoy it without too much comparison with the original.

So, what have they edited out to make the book suitable for the young adult market? Basically, the expletives, some of the bloodier violence, the detailed description of the flashback scene where Sophie Neveu witnesses her grandfather in flagrante during a ritual, and some of Robert's lengthier explanations regarding ancient sex rites and similar. From this one might therefore deduce that swearing, violence and sex are taboo subjects for teen literature in the 21st Century, which makes me wonder if the editors of this abridged version have actually read any modern YA books themselves?!

Other than that, the characters and the story are still the same, which again raises the question as to why an abridged version is needed? OK, I completely understand the need to take out some of the sexual references and violence, but outside of this it's a little patronising to presume that an adult book needs simplifying for the teen market. My experience over the years has shown that boys who are confident readers will often make the leap from junior fiction or middle grade straight to adult fiction, with only the occasional foray into young adult books. I have lost count of the number of Year 8s that I have seen reading adult books by Andy McNab, Chris Ryan, Stephen King and yes, Dan Brown himself.

With this in mind, I also felt that I needed to judge whether this edition might be suitable for middle grade readers as I was reading it. Would it be suitable for them? The answer is yes, as I believe it has been 'sanitised' enough for confident readers of age 11+, but any adult who works with kids of this age knows that they much prefer books that feature characters of their own age, or a little older. It increases their enjoyment of a story if they can relate to the characters, or aspire to be like them. That is much harder with adult characters, and I am hard pushed to think of any other modern book for teen readers that has no teen characters at all.

Whether it is the original version, or this new abridged version, The Da Vinci Code is still a thoroughly entertaining and exciting mystery quest thriller and I can't help but recommend it. Librarians, teachers and parents may feel more comfortable putting this into the hands of teens readers, in the knowledge that it has had certain passages, etc. edited out. My copy is going to go into the school library, and I will be watching keenly as to its popularity with my young readers. My thanks go to the fab people at Penguin for sending me a copy to review.


Monday, 18 January 2016

Review: Beetle Boy by M.G. Leonard


Darkus is miserable. His dad has disappeared, and now he is living next door to the most disgusting neighbours ever.

A giant beetle called Baxter comes to his rescue. But can the two solve the mystery of his dad’s disappearance, especially when links emerge to cruel Lucretia Cutter and her penchant for beetle jewellery? A coffee-mug mountain, home to a million insects, could provide the answer – if Darkus and Baxter are brave enough to find it …
 

Three was the magic number for Bob Dorough, Blind Melon and De La Soul, and it's also the magic number for these new style Book Zone reviews, as part of my seemingly endless quest for brevity when reviewing. So, here are three reasons to love Beetle Boy, by M.G. Leonard.

1. The Beetles

Forget the Fab Four*, this is more the fab four hundred thousand, as M.G. Leonard's debut, Beetle Boy, is overflowing with brilliant, benevolent beetles. Not since the hugely entertaining Joe's Apartment have so many incredible insects been used as a force for good in a fight against dastardly villains. I think M.G. Leonard must have had great fun researching this book: there are all kinds of species of cool and crazy Coleoptera, each bringing their own talents to help Darkus Cuttle fight the evil Lucretia Cutter and her minions. It's great to see insects as the good guys in a story!

2. Friendship

One of the reasons I love middle grade stories is the strong themes of friendship that many of them contain. Whether it's classics like Swallows and Amazons and The Famous Five, or more contemporary stories like the Harry Potter series and Robon Stevens' Wells & Wong Mysteries, friendship in stories is important for young readers. It helps kids understand that working with others towards a common goal is important, even if it isn't always easy, and how fun, happiness and strength can come from sharing with others. The friendships in Beetle Boy are both conventional (starting at a new school, Darkus makes friends with Virginia and Bertolt) and unconventional (boy makes friends with beetle).

3. The villains

Everybody loves a 'good' villain, and Beetle Boy has no shortage of them. From the truly heinous and inhuman Lucretia Cuttle to Darkus's bizarre odd-couple neighbours, Pickering and Humphrey and their somewhat unsanitary living habits, the villains in this story have just the right level of over-the-top-ness to make them easy to dislike and entertaining, without ever entering pantomime territory.

Beetle Boy isn't released until the beginning of March, so make note of this now and either pre-order it or set a reminder on your smart phone, as this is already a hot contender for my 2016 Books of the Year list. My thanks go to the fab people at Chicken House for sending me a copy of this little beauty.




*(yes, yes, I know they spelt their name differently)

Sunday, 17 January 2016

Review: The Scarlet Files: Cat Burglar by Tamsin Cooke


Schoolgirl by day, cat burglar by night.

Scarlet McCall thinks she has it all figured out. She and her dad are on a mission to return stolen treasures to their rightful owners. But when they take an ancient Aztec bracelet, her world turns upside down.

Dad goes missing, and mysterious powers erupt inside Scarlet. She's hunted by sinister people, who will stop at nothing to possess the bracelet. Searching for her dad, Scar must learn who to trust before it's all too late.



Three was the magic number for Bob Dorough, Blind Melon and De La Soul, and it's also the magic number for these new style Book Zone reviews, as part of my seemingly endless quest for brevity when reviewing. So, here are three reasons to love Cat Burglar, the first book in Tamsin Cooke's The Scarlet Files series.

1. Main character Scarlet McCall

I have often written about the popular misconception that boys do not read books with female main characters, and how fallacies like this can become self-perpetuating the more it is stated ( much like that oft proclaimed 'fact' that boys don't like reading). Well I would challenge any read, boy or girl, to read this book and not be excited by the adventures of Scarlet (aka Scar) McCall. Scar is brave and resourceful, but also frustrated that her father doesn't allow her to have more than a basic support role in the heists that he plans and carries out. By necessity, Scar's life has been relatively solitary, so her resourcefulness becomes even more important when her father is taken hostage, and she is left to carry out a daring robbery all on her own.

2. The pace

Cat Burglar is great, galloping fun; it is chock full of breathless action and has a plot that moves faster than a rocket full of monkeys. Short chapters mean that readers are sucked in and held tight, until before they know it they are turning the page of the final chapter. Definitely one of those books that is best read in a single sitting, and at only 220ish pages this is achievable for most confident readers, and even many who are less-confident.

3. The fantasy element

This would probably have been a good, entertaining read if it had been a straight heist thriller for kids. However, Tamsin Cooke injects an exciting fantasy element into her story through the ancient Aztec bracelet that Scar steals in the first chapter, and as Scar quickly discovers, this bracelet certainly ain't no trinket. Said bracelet endows Scarlet with strange new abilities, but are they a gift or a curse for our plucky heroine? 

Cat Burglar was published in the UK on 7th January, and the sequel, Mission Gone Wild, is due out in July. My thanks go to those fab people at OUP for sending me a proof copy to read.



Thursday, 29 October 2015

Review: Urban Outlaws: Lockdown by Peter Jay Black


The Urban Outlaws have been betrayed - and defeated. Or so Hector thought when he stole the world's most advanced computer virus. But Hector will need to try much harder than just crossing the Atlantic if he wants to outsmart Jack and his team ...

With the help of a shadowy figure known as The Shepherd, the Urban Outlaws risk everything and head to the States. They plan to take Hector down and stop him from using the virus as the ultimate hacking tool - the world's secrets, and their own, are in his fingertips and if they don't act fast, our lives will be changed forever.

The stakes are higher than ever in the third book of this high-octane adventure series for fans of Robert Muchamore, Anthony Horowitz and Alex Scarrow.






Warning: may contain spoilers for previous Urban Outlaw books.

Peter Jay Black's Urban Outlaws series is fast becoming a future contender for my Book Zone Box Set feature (Reminder: to qualify a series needs to have at least four books). Lockdown is the third book in this exciting, hi-octane series that has now become one of my favourite series of the last year or so, and it more than lives up to the promise established by its predecessors.

The Outlaws are still reeling from Hector's betrayal in Blackout, and revenge will be no easy feat as he has now taken himself off to the other side of the Atlantic. However, with the super virus now in his hands they feel they have no option but to try, even if it means getting into bed with another potential devil (aka The Shepherd) to do so. However, once they land stateside it is business as usual, which for the Urban Outlaws means stunts, tech, hacking and action aplenty. The team also have the assistance a few new friends: Serene, sister of their mentor Noble, Lux, a streetwise NYC expert, and her friend Drake, the local transport expert (i.e. he can get his hands on any transport they need). These extra pairs of hands, and the local knowledge they bring, may just be the extra factor they need to track down and defeat Hector.

Like any good heist story, be it written or on the big or small screen, it's no use trying to guess if or how the team will be successful in their various not-quite-legal activities. Just as you think you've worked out how they might pull off their latest caper, another obstacle throws itself in their way and their plans have to change on the fly. However, resourcefulness seems to be their collective middle name, so strap in and get ready for twist after twist and turn after turn.

The first Urban Outlaws book was published back in March 2014, and this third volume was released in September. We had to wait nearly a year between books one and two, but the mere seven months between episodes two and three is exactly what this series needed to maintain the excitement and momentum already established, and it's great to see that book four, Counterstrike, will be published in April 2016. I can't wait!

My thanks go to those fabulous people at Bloomsbury for sending me a copy to read.


Friday, 14 August 2015

Book Zone Box Set #1 - The Alex Rider Series

I love DVD box sets! I have piles and piles of them here at Book Zone HQ, and sometimes, when I'm in the mood I will watch a whole season of a TV show back-to-back over a week, often whilst I'm getting on with school work of an evening. Over the past year I've been rewatching, amongst others, the complete X-Files, Stargate SG-1 and CSI: Miami. As I was reaching for Season 7 of the X-Files this morning I realised that the box set concept would make a nice new occasional feature for this blog: Book Zone Box sets.

As a child and a young teen I was much the same with books. If I found a series I liked I would read as many of them as I could get my hands on: Enid Blyton's various mystery series; The Three Investigators; the Hardy Boys; Agatha Christie's Poirot; the Conan books published by Sphere back in the 70s/80s; the Destroyer books by Sapir and Murphy... the list goes on and on. And I haven't changed - it's great to discover an author I've never read before who has a significant back catalogue of great books.

Many kids, and boys in particular, share this love for series books, so when people ask me to recommend books for their children I will often include a handful of first-in-series books, as if their child likes one of them it could be the catalyst to them becoming a keen reader. It worked on my godson (and his brother) when  gave him the first Percy Jackson book, and it has worked many times since. In this new feature I will put the spotlight on a series of books that I have read an enjoyed, and would highly recommend to any parent asking about suitable books for their child. For clarification, in my mind a series constitutes four or more books, i.e. trilogies do not count.

And what better place to start than with one of the very best series of books for 10+ aged reader from the last twenty years?




I love the Alex Rider books, almost as much as I love the Harry Potter books, both for their brilliant stories and the impact they have had on getting children, and boys in particular, reading for enjoyment. So well known are they, that it is very easy to fall into the trap of assuming that all book-loving children have at the very least read Stormbreaker, or that parents trying to encourage their children to pick up a book have tried the first in this series, but that is not the case. As such, Stormbreaker is top of every list I give to parents who approach me for book recommendations.

And now is the perfect time to start reading this marvellous series. 2015 marks the fifteenth anniversary of the first publication of Stormbreaker and earlier this year Walker Books published brand new editions, with top-smart new cover designs, produced by the Walker design team and creative studio Two Dots (see their stunning artwork at the end of this post). And there's more... the Walker editorial team have also gone through every one of the books in the series and updated them slightly. The changes do not affect the story in any way, other than to make the pop-culture references more relevant for today's young readers. This, in Stormbreaker, the modified gadget that Smithers provides Alex becomes a Nintendo DS when previously it was a Gameboy. In Scorpia, Alex is now wearing a Superdry t-shirt, and in Ark Angel the TV on the table in Alex's hospital room becomes an "Ultra Slim HD TV mounted on the wall". Small changes that some may feel are unnecessary, but I am sure young readers will appreciate them, without even knowing they have been made.



I realised earlier this year that even though I had read Stormbreaker a number of times, I had only read the other books in the series once each. Thanks to the generosity of the fabulous Paul Black at Walker I came into possession of a set of the newly rejacketed Alex Rider books, and decided that now was the time for a re-read. And just like a watching a TV series box set, these books are even better when read back-to-back. I remember when I first read each book that I found it very difficuly to put down, and on a second reading nothing has changed and it being the school summer holidays meant I had the luxury of being able to read for several hours at a time without interruption.

With so much time between the publication of each book, it is very easy to lose touch with the fact that the nine Alex Rider adventures take part over a period of  just twelve months. Yes, incredibly there is only one year between Alex being drafted into an MI6 investigation against his will, to his final battle against Scorpia, via a crazy number of near-death experiences. Reading them in this way we see how his character develops from a fun-loving, average 14-year old schoolboy, albeit one who is grieving the loss of his only close relative, to a battle weary 15-year old who has seen and done things that no young person ever should. What also becomes clearly evident is how different each of the books is - Anthony Horowitz managed to create a nine book series where each new outing for the teen secret agent seems fresh and without repetition.

Although only one of these (Scorpia) ends on a cliffhanger, and technically each book could be read as a standalone, or out of series order, as each story contains a new, discrete mission for Alex, to be fully enjoyed these books should be read in order. It isn't just Alex's character that is developed over the series, but also that of Jack Starbright, Alan Blunt, Mrs Jones and, of course, Smithers (and he may only make a cameo appearance in each book, but it is almost worth getting to know him by reading the whole set just for that one special moment in Scorpia Rising, a twist that I am willing to bet that no one could possibly have seen coming).

Seriously, for getting 10+ kids into reading, and boys in particular, they don't come much better than Anthony Horowitz's Alex Rider series. And the icing on the cake? When you've finished the nine books you can read the mighty fine Russian Roulette, the Yassen Gregorovich origin story.


Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd
Cover Illustration by Two Dots © 2015 Walker Books Ltd







Thursday, 13 August 2015

Review: The Imagination Box by Martyn Ford


There is a box. Anything you imagine will appear inside. You have one go, one chance to create anything you want. What would you pick?"

That's exactly the question ten-year-old Timothy Hart gets to answer after discovering The Imagination Box. The greatest toy on earth.

The top-secret contraption transforms his life but when the box's inventor, Professor Eisenstone, goes missing, Tim knows he has to investigate.

With the help of a talking finger monkey called Phil, he sets out to find the professor. In order to rescue his friend, he must face his darkest fears and discover the true potential of his own mind.






The Imagination Box by Martyn Ford is a modern, exciting and very funny take on the classic genie-in-the-lamp tale. Orphan Tim lives in the hotel owned by his adopted parents, and it is a pretty lonely life he leads. He seems to have no friends and his adopted mother and father are focused on running the hotel, and so he escapes from boredom by drawing. Tim loves to draw and has an incredibly vivid imagination; in fact, most of his drawings have very little to do with the real world. Except for finger monkeys that is. Tim loves drawing finger monkeys and they are his all-time favourite animal.

Into the hotel and Tim's life comes Professor Eisenstone, the inventor of the Thought Directed Atomic Construction Device, which Tim feels is too much of a mouthful and decides to christen it the Imagination Box. The Prof recognises that Tim's powerful imagination is the very thing that is needed to make his invention work, and it isn't long before Tim is conjuring up all kinds of things from the box, using only the power of his mind, including the one thing that he has always wanted: a real, live finger monkey! And not just any finger monkey - this one can talk.

Obviously, the Imagination Box is a potentially world changing invention, and equally as obviously that means that there is going to be some kind of dastardly and nefarious villain who wants to get their hands on it. When the Prof disappears it is down to Tim, Phillip and Dee, the professor's granddaughter, to find the professor, defeat the villains and save the world. 

The Imagination Box is a thoroughly entertaining, funny mystery adventure story that will delight 9+ readers, and most likely their parents too. There is something for everyone in this story - action, adventure, fantasy, science (albeit it a little fantastical in nature) and humour. And, of course, a finger monkey called Phillip.

Ok, so yesterday in my review of Fire Girl by Matt Ralphs I stated that I'm not a fan of talking animals, and yet here is another book where a talking animal is a stand-out character, and probably the star of the show. Honest, I really am not a fan of talking animals, but Phillip the finger monkey, with his highly educated and slightly upper class voice, is such a great creation. 

If I had one small negative thing to say about this book, it is the lack of illustrations within. Over the last twelve months there have been some fabulously written books published in the UK for the middle grade audience that have been enhanced even further by the work of an illustrator (just a few notable examples are Jamie Littler's work for Hamish and the Worldstoppers, Ross Collins' illustrations in The Unlikely Adventures of Mabel Jones, and the fab drawings of Sara Ogilvie in Demolition Dad), and it is a shame that Matt Hunt's awesome work on the cover for The Imagination Box is not seen on the pages within, especially given the main character's passion for drawing. (I guess I should add that I only have a copy of the proof, so if illustrations were included in the finished edition then all I can say is brilliant!!!).

The Imagination Box is one of those books that will have children who have read it keen to discuss it with their friends. After all, the story's central theme - that of using your imagination for wish fulfillment - is one that will engage most active young minds. As such, it would make a great class reader for a group of Year 5/Year 6 children, although it's 270+ page length may worry some teachers and thus reduce the likelihood of this happening. However, the pace and fabulous fun factor of the story do ensure that children will race through these pages, most likely giggling all the way to the final chapter.

My thanks go to the fab people at Faber for sending me a copy of The Imagination Box to read.



Friday, 16 January 2015

Review: Big Game by Dan Smith


13-year-old Oskari is sent into the cold wilderness on an ancient test of manhood. He must survive armed only with a bow and arrow. But instead, he stumbles upon an escape pod from a burning airliner: Air Force One. Terrorists have shot down the President of the United States. The boy hunter and the world's most powerful man are suddenly the hunted, in a race against a deadly enemy.






A handy indicator of how much I enjoy a book is if it has me reading well into the night, on a 'school night' when I am already feeling very tired. This doesn't necessarily apply to every book that I totally loved, but it does apply to Dan Smith's Big Game. It is as if Dan Smith has delved into my DVD collection, and then used his findings to write a book that was guaranteed to appeal to me and kids around the world who have a hunger for cracking action stories.

The story behind Dan Smith's writing of Big Game is a little different from most of the books I have read in recent years. From what I can make out, Chicken House supremo Barry Cunningham acquired the rights to publish a book based on the screenplay of a Finnish/British produced film, and then asked Smith is he would write a book based on that script. Unlike many books based on films, it was not to be a direct novelisation of the movie, but was instead to be a book that would stand as a great action novel in its own right, and this is one of the reason why it works so well. Don't get me wrong, movie novelisations are a great way to engage boys with reading, and I read loads of them when I was a young reader, but too often they come across as second rate to the film and are simply the film translated into words on paper. However, for Big Game to be second rate to the film, then it is going to have to be one damn great film indeed (ok, so it has Samuel L. Jackson in it does have something of a head start).

Big Game is like White House Down or Olympus Has Fallen (don't judge me too harshly for loving both of these films), but set in the wilds of Finland (although I believe that technically Air Force One is the White House when the US President is on board), and instead of Channing Tatum or Gerard Butler stepping in to kick terrorist butt and rescue the President, enter 13-year-old Oskari, possibly the most unlikely hero of all. Tradition has it that in Oskari's society a boy must prove himself in order to be considered a man at the age of 13. Oskari must therefore venture out into the wilds on the eve of his thirteenth birthday and return the following day with a trophy, i.e. the head of a creature he has hunted and killed himself. 

Unfortunately Oskari is small and not particularly strong - he cannot even pull back the string of the huge bow that tradition dictates he must use to make the kill. It is with a great fear of shaming his hunter father that he sets off into the Finnish forest alone, but with the hope that he will somehow be successful and return with a trophy of which he can be proud. However, his hopes and plans are dashed when terrorists bring down Air Force One and Oskari, barely surviving being killed by the cataclysmic crash, stumbles across an escape pod containing the US President. Oskari's quest to become a man suddenly becomes a race for survivial, with all the odds stacked against him.

Big Game could be added to the dictionary as the definition of 'edge of your seat thriller'. The short chapters and fast-paced and relentless action make it one of those books that is incredibly difficult to put down, as I discovered when I was still reading it at midnight, desperate to find out whether Oskari and the President would escape from their hunters. Yes, I imagine that the film is probably one of those action-by-numbers films that some sniff at but others (like me) can't get enough of, and those same detractors will probably turn those sniffy noses up at this book, but it is the perfect book for middle grade readers who love action and adventure stories, and Oskari is a brilliant character with whom many young readers will empathise.

Big Game was published in the UK on 1st January and my thanks go to the fab people at Chicken House for sending me a copy.




Thursday, 14 August 2014

Review: Replica by Jack Heath


'Whose body is that on the table?' I ask.

She stares at me, as though the answer is obvious. 'It's yours,' she says.

Before I have time to scream, she types a command on the keyboard. My consciousness whirls away like storm water down a drain
.

Chloe wakes up to find all her memories have been wiped. And the only person who knows what happened is a teenage girl who looks and sounds exactly like her.

Who is she? And what does she want?

Chloe is running out of time to discover the truth. But she's in even more danger than she realizes, and nothing is as it seems . . .







I loved Jack Heath's Money Run and Hit List and I have been waiting impatiently in the hope that there will be more adventures for Ash and Ben. Sadly it looks like this wait has been in vain as Jack Heath seems to have moved on, with his new book, Replica, due to be published in the UK on 7th August. However, my disappointment is more than slightly alleviated by this new book, which possesses all of the Jack Heath trademark twists and turns, within a scintillating science fiction thriller premise.

Replica is one of those books that is very difficult to review as every phrase has to be carefully thought through for fear of creating spoilers. Yes, it is that twisty and turny, and I must warn you to avoid one particular review on Amazon which actually lays out the ending of the book in detail! Seriously, some people are so inconsiderate.

What I can tell you is that Replica has one of the most gripping opening chapters that I have read in a YA novel. In my proof copy, there is a moment at that bottom of page four that literally had my jaw dropping, and then me flicking back to re-read the opening pages to make sure I hadn't missed anything. Naturally, by this point I was totally pulled into the story and struggled to put the book down, so it certainly passes the 'grab the reader in the opening pages' test. As for an unspoilery explanation of the rest of story? The main character is a replica, a pretty much prefect android version of a real teenage girl, even down to memories and consciousness. Why 'she' has been made is something you will have to find out by reading the book yourself. 

Aside from the pace and twists of this book, I also loved the fact that it poses so many moral questions, without them ever seeming to be 'in your face'. There is certainly something of a homage to Blade Runner going on here, and readers will find themselves asking what constitutes life, is it moral to give machines feelings/emotions and what is it that makes us human? Some of these themes gain particular focus as replica Chloe builds a relationship with one of her schoolmates, Becky. It is sad that same sex relationships in YA books are still such a rarity that whenever we come across one we feel the need to give it special mention, but in this case, even if they were a common occurrence, I would still want to highlight it as Jack Heath writes these scenes with incredible subtlety and sensitivity. This is not the use of an LGBT theme for the sake of adding diversity; it genuinely feels 'right', as if replica Chloe having a relationship with a male character just would not have fitted the tone of story quite so well.

Before I go I feel I should mention the story's ending. I am aware of some readers who have found it frustrating, whilst others, like myself, feel that it works by leaving things open, not necessarily for a sequel but for the reader to formulate their own opinion of what happens next. I think it is one of those 'love it or hate it' kind of endings. Go back to Blade Runner again, and think of that ending, whether it be the voice-over original release or the more ambiguous Director's Cut ending. Both leave the viewer with questions about Deckard's and Rachael's futures, and do not ruin everything that came before by doing so. That's my opinion anyway.

Replica by Jack Heath was published on 7th August and my thanks go to the lovely people at OUP for sending me a copy.


Friday, 21 March 2014

Review: Urban Outlaws by Peter Jay Black


In a bunker hidden deep beneath London live five extraordinary kids: meet world-famous hacker Jack, gadget geek Charlie, free runner Slink, comms chief Obi and decoy diva Wren. They're not just friends; they're URBAN OUTLAWS. They outsmart London's crime gangs and hand out their dirty money through Random Acts of Kindness (R.A.K.s).






There is little I can add to the above publisher's blurb without spoiling the story (and I've cut the blurb short anyway as, having read the book, I feel that there is a spoiler within it). In simplest terms, this is a Robin Hood story for the high tech generation. Through a variety of different but similar circumstances, five kids have chosen to live outside the law, and use their various talents to rob the corrupt, ultra-rich criminal classes and share this new wealth among the needy and under privileged.

The book opens with the Outlaws about to start their latest heist, the plan being to steal huge amounts of money from Benito Del Sarto, one of the country's biggest dealers of illegal arms. As they escape from the scene of their crime they stumble onto something that surveillance and computer expert Obi believes is massive - the existence of an advanced quantum computer, and piece of equipment that many in the tech community believe is only an urban myth. Suddenly the team find themselves way out of their depth, as they fight to gain possession of an item that, if it exists and falls into the wrong hands, could have severe implications on a global scale.






Forget the Robin Hood allegory, this is Leverage for 9+ kids and I loved it! Leverage is one of my favourite TV shows - I love the chemistry that exists between the characters, with each one bringing a different skill to the party, and this is exactly what Urban Outlaws does. Yes, suspension of disbelief will be an essential requirement when reading this book, and the cynical among you should just p*** off right now and go hunt for your inner child before picking this book up. Seriously, if books like this had been around when I was a kid I may never have left my home except to go reluctantly to school.

This is one of those books that you will have to prise from kids' hands to stop them reading (although shame on you for even contemplating such a heinous act). I certainly refused to do anything until I had finished it, and read it from cover to cover in a single sitting. However, it is a fairly quick read as almost every chapter is full of great action sequences, peril for our team of heroes and great uses of high tech gadgets, so readers will find themselves flying through the story at a frenetic and almost heart-bursting pace.

This is a book for every kind of kid - the sporty ones will love Slink, the free-runner; the tech geeks will love Jack, Charlie and Obi; the couch potatoes will love Obi and the action junkies will love all of them; there are great male characters and great female characters, with even Wren, the youngest and newest member of the team, having her moment (although I really hope she will get more of a chance to shine in future books). Hell, I'm over 40 and I really, really wanted to be one of the team so I can only imagine how excited younger readers will get at the thought of having adventures like these.

My thanks go to the fab people at Bloomsbury for sending me a copy to read. You can find out a little more about Urban Outlaws and author Peter Jay Black at http://www.urbanoutlawsbunker.com/






Tuesday, 10 September 2013

Review: The Rig by Joe Ducie


Fifteen-year-old Will Drake has made a career of breaking out from high-security prisons. His talents have landed him at the Rig, a specialist juvenile holding facility in the middle of the Arctic Ocean. No one can escape from the Rig. No one except for Drake...After making some escape plans and meeting the first real friends of his life, Drake quickly realises that all is not as it seems on the Rig. The Warden is obsessed with the mysterious Crystal-X - a blue, glowing substance that appears to give superpowers to the teens exposed to it. Drake, Tristan and Irene are banking on a bid for freedom - but can they survive long enough to make it?






There is little more I can say about the story that isn't mentioned in the blurb I've included above. Teen criminal Will Drake has so far managed to escape from every prison in which he has been incarcerated, although one particular escape did not go particularly smoothly for a fellow prisoner and as a result Drake is reluctant to get close to anyone again. However, he is now an inmate of the infamous Rig, a prison that pretty much takes maximum security to a new level. No one has ever escaped before, and even Drake could find himself up against the impossible this time.

On the face of it this might seem like a teen in prison story, but there is much more to this book than that. Yes, there are the obligatory nasty wardens and guards, and of course there is the group of hard nut prisoners who delight in asserting their strength and authority over anyone who gets in their way, and new inmates in particular. However, there is also a strong science fiction element to the story - what is the glowing blue substance that is being mined below the Rig? Why do some inmates seem to possess unnatural strength or other superhuman abilities? And why is there so much activity in the waters below whenever a supply vessel arrives? We follow Drake as he seeks to find answers to these mysteries and more as he desperately tries to find a  way off The Rig.






Joe Ducie, author of The Rig, was one of the two winners of the inaugural Guardian Hot Key Books Young Writers prize. On the day the winners were announced I received a tweet from Will Hill, Department 19 and one of the competition judges, telling me that I would totally love The Rig and so I waited impatiently for it to become available. As soon as it arrived from those wonderful people at Hot Key Books I pretty much dropped everything, eager to discover exactly why Will Hill and enjoyed it so much. Mr Hill either knows his books, or he knows me well (or both) as yes, I really did love it.

There is very little not to like about The Rig. It is a non-stop thrill ride from beginning to end, and as the first book in a series it left me wanting more come the final page. Even better, it did this without finishing on a massive cliffhanger - the story comes to a satisfying conclusion, but the door is wide open for the next instalment.

Drake is a great character. Ducie gives him an air of mystery - for much of the book we don't know exactly why he is in prison or how he has managed to escape from other allegedly maximum security prisons. This information (or some of it) is drip fed throughout the story, but even then we do not find out all of the answers, and I would imagine that these will continue to be revealed as the series progresses. Similarly, the backgrounds of the secondary characters that Drake encounters, both as allies or enemies, are not fully revealed, and whilst some readers may find this a little frustrating, I like to be kept guessing.

In this book Ducie very much focuses on building his main character, and the world that is the Rig itself. As with the character, we are only given the occasional hint as to the nature of the society these people now live in, and just why the powers that be feel the need to lock teens away on a rig on the middle of the Arctic Ocean. As with most dystopian societies, there are hints at corruption, corporate greed, mass poverty and again, I am sure we will continue to find out more as the story develops in the future.

All the elements are there to make this a great book for boys (and many girls too). The action is unrelenting, there are countless mysteries encountered by Drake, friendships and formed and tested, and of course there is the overriding question of just how on earth Drake could possibly find a way off The Rig. I will be tossing this book in the direction of as many boys as possible as it is the kind of book that could quickly win over reluctant readers.

I do not give graded reviews on this blog (I do enough grading in my work life), but I do give starred reviews on Goodreads for every book that I read and I enjoyed The Rig so much that I gave it five stars. However (takes a deep breath) I almost gave it a lot less for one reason only - this has kind of been done before. Long time readers of The Book Zone will know just how much I love Alexander Gordon Smith's Escape From Furnace series, and there were far too many elements of The Rig that in some way mirror those of Furnace. The Rig has a teen boy who is incarcerated for a minor crime, in Furnace the protagonist is framed for a crime he didn't commit. Both Furnace and the Rig are maximum security prisons that are seemingly inescapable. In both books inmates are experimented on, giving them superhuman strength. However, because The Rig gripped me so much I was willing to give it the benefit of the doubt and despite the similarities there are also some key differences, the most obvious being that Furnace very much falls within the horror genre, whereas The Rig is an action thriller with sci fi elements. 

As I said earlier, I really, really enjoyed The Rig and I can't wait to read the sequel. The Rig was released on 5th September so you should be able to find it in stores now, and my thanks go to Hot Key Books for sending me a copy to read.





Monday, 22 July 2013

Review: Boy Nobody by Allen Zadoff


Boy Nobody is the perennial new kid in school, the one few notice and nobody thinks much about. He shows up in a new high school, in a new town, under a new name, makes few friends and doesn't stay long. Just long enough for someone in his new friend's family to die -- of "natural causes." Mission accomplished, Boy Nobody disappears, and moves on to the next target.

When Boy Nobody was just eleven, he discovered his own parents had died of not-so-natural causes. He soon found himself under the control of The Program, a shadowy government organization that uses brainwashed kids as counter-espionage operatives. But somewhere, deep inside Boy Nobody, is somebody: the boy he once was, the boy who wants normal things (like a real home, his parents back), a boy who wants out. And he just might want those things badly enough to sabotage The Program's next mission.


 






You’re a multi-millionaire businessman. Yes, you may have had to strike some less than ethical deals and upset a few important people along the way to fame and fortune, and who cares if you're selling wepaon parts to Iraq? But hey, that’s why you employ a bodyguard. So when your son/daughter brings home the new boy at school, of course you don’t think twice about it. He’s your perfect clean cut, polite, all-American boy after all. And that’s just what THEY want you to think. Before you know it, your guard is down, it’s just you and him chatting in the kitchen and suddenly he lunges at you with a hypo disguised as a pen. And that’s the last thing you will ever register as collapse to the floor, your life quickly slipping away. Death by natural causes, of course!

Boy Nobody tells the story of a teen assassin. He works for The Program, a shadowy government agency that makes the CIA look like a group of boy scouts. Jack aka Ben aka is tasked with working his way into the families of his designated targets by befriending the target’s son or daughter, his youth and clean looks being the perfect cover. It’s a kill or be killed situation for him – if he doesn’t carry out his orders then it won’t be long before he finds himself the target of another of The Program’s assassins. All of this goes pretty much unquestioned by our main character until he is given his latest mission, a rush job and a target that he can’t help but like, and whose daughter he can’t help but start falling for.







Earlier this year I was able to attend a conference organised by the National Literacy trust titled Improving boys’ literacy attainment across the curriculum. For the final presentation of the day we were treated to 30 minutes of Charlie Higson talking about boys and reading, using his experiences as a father and as a writer to highlight various points. During this talk he explained that when he submitted the first Young Bond book to Puffin they got nervous and asked him if he could tone down some of the violence. They were worried that they would receive nothing but complaints from librarians, teachers, journalists, etc. Charlie told us how he stuck to his guns (no pun intended), and when the book was finally released it received very few, if any, complaints. In fact, exactly the opposite. I would imagine that this probably reflects the experiences of both Darren Shan and Anthony Horowitz, both of whom are recognised as early trailblazers of boy-friendly action stories that contain more than a hint of violence. Charlie also said that now, eight years on from the release of Silverfin, something has happened that would have been unheard of at the time of its release, let alone back in 2000 when Stormbreaker was released: one of the new covers of the Young Bond series shows the 13-year-old James Bond holding a machine gun.

The fact that in Boy Nobody we now have a book that features a main teenage character who is an assassin, killing with no remorse, shows just how far books have come since those days, and also shows how publishers are willing to push the boundaries that little but further these days and take chances on slightly edgier material. And in my opinion this is a good thing. When I was in my early teens there simply were no books like this around so I graduated very early on to reading adult thrillers by the likes of Robert Ludlum, books which certainly didn’t hold back on the violence, or the sex in some cases. I have friends who started reading Stephen King when they were 13 as nobody was writing horror for teens in those days. Surely it is better that young people are given the chance to experience books that feature violence, suggestions of sex, etc. in books that are specifically written for them than in books that are specifically written for a far more mature audience? And let’s not patronise our young adults – if they aren’t comfortable with a book due to levels of violence and so on then odds are that they will stop reading it anyway.

I loved Boy Nobody. I loved the coldness of the main character, who in many ways reminded me of the cold killer that is James Bond in Fleming’s novels, a feature of his personality that is very much lost in the majority of the Bond films. For Ben (the name that he uses for much of Boy Nobody) killing is both a job and a means of survival. If he kills he is kept in the manner he has become accustomed to. If he doesn’t kill then he knows his life won’t last much longer. I loved the fact that I struggled to relate to Ben, as he was so cold and although he starts to question his life as events start to spiral out of control, it is not the killing he is questioning, more the loss of a traditional family life.

The action scenes in the book are fast and frantic, and are guaranteed to hook boys (and girls) who like stories like this. This is a great story for gamers who are fans of Hitman, Black Ops and so on (even though they are technically too young to be playing them) as the short chapters, action set pieces and the concept of the teen assassin combine perfectly to pull them away from their games consoles and keep them buried in the book, eagerly turning the pages to find out what happens next.

The book is not without its faults, but I don’t want to dwell on them for too long as they were only minor niggles for me. The claim that boys do not like romance in their books is very much a myth in my experience. Boys don’t mind a little romance, if it is done well, but like me many do not like it when it seems forced. The romantic element in Boy Nobody is an important part of the plot, and at no point does it overshadow the main theme of the story, but for me it didn’t ring true. I’m not sure what it says about me when I find the concept of a teen assassin far more believable than said assassin letting his guard down for a girl he has known for only a couple of days?

I read somewhere once, a long time ago, about a book that someone (either an individual or a group) banned somewhere as it had a young main character who killed someone and didn’t seem to feel any remorse. I love the way that Allen Zadoff never makes excuses for his main character, and he doesn’t leave us with the moral that killing is evil. Zadoff leaves it entirely up to his readers to decide whether they are comfortable with the actions of the main character, and there will be some who will side with him and sympathise with him, there will be others who will be horrified at his actions, and there will a large number siting firmly on the fence. This is a great book for encouraging discussion about what is right and wrong, the life of one versus the lives of many and whether the end justifies the means, especially as in the eyes of The Program the people that Ben is sent to dispatch are all considered threats to national security in one way or another.

My thanks go to the lovely people at Orchard Books for sending me a copy of Boy Nobody to read.



Tuesday, 30 April 2013

Book Trailer: Boy Nobody by Allen Zadoff

I finished reading Boy Nobody by Allen Zadoff last week , and I can tell you that it is one hell of a thriller and the kind of book that just wouldn't have seen the light a few years ago. A teen boy who infiltrates his way into the lives of others in order to carry out an assassination? I still remember when there was an outcry if a teen character killed someone without facing suitable punishment for his/her crime.

Boy Nobody is out at the end of May, and my review will appear here nearer to that date, but in the meantime here is the trailer for you to enjoy:




Monday, 29 April 2013

Review: ACID by Emma Pass


2113. In Jenna Strong's world, ACID - the most brutal, controlling police force in history - rule supreme. No throwaway comment or muttered dissent goes unnoticed - or unpunished. And it was ACID agents who locked Jenna away for life, for a bloody crime she struggles to remember.

The only female inmate in a violent high-security prison, Jenna has learned to survive by any means necessary. And when a mysterious rebel group breaks her out, she must use her strength, speed and skill to stay one step ahead of ACID - and to uncover the truth about what really happened on that dark night two years ago.

When I first saw mention of ACID on Twitter back in 2012 I stifled a small yawn, and thought great, just what the world needs, another dystopian YA story. And then I saw Lauren Buckland, one of the top editors at Random House (and someone I rate very highly based on the books she has edited) raving about it, and I started to think that perhaps I might give it a try. Then, when the cover image was unveiled the shallow part of me thought wow - love the cover, I will definitely read that book. And now? Whenever I read another YA dystopian story I will measure it against ACID. Yes, I loved it that much (yes, even more than The Hunger Games).

ACID is set one hundred years in the future, in a Britain that has become a 1984-style authoritarian police state known as the Independent Republic of Britain (IRB), said police being ACID (Agency for Crime Investigation and Defence). The people at the top, no longer elected officials, have cut the IRB off from the rest of the world, and its residents no longer have access to the internet or any form of international news. Personal freedoms are as close to zero as you can get: no marriage/choice of partner - instead there is life-partnering where your LifePartner is chosen for you by the state, or also dictate whether you can have children or not. And like any such regime that has occurred in 'real life' (I'm thinking USSR, North Korea, China), there is a very small minority of people with a huge majority of the wealth, whilst the masses live in poverty and near starvation. London has become a divided city, literally, with areas designated Upper (for the elite), then Middle, and then finally Outer, which is a pretty grim place to live and work, and where you can be arrested for not having the news-feed (i.e. propaganda) screens on for the majority of the time you are at home.

In the middle of all this authoritarian nastiness we meet Jenna, a seventeen year-old girl serving a life sentence in a prison full of men. Jenna was convicted of murdering her parents two years previously, and in that time she has had to become the veritable definition of badass in order to survive. Resigned to a lifetime of incarceration, Jenna is as surprised as anyone when she is broken out of jail by a group of mysterious rebels. This escape becomes the start of a dangerous journey as Jenna begins to question everything she knows, or thinks she knows, about herself, her background and the IRB itself.

I loved everything about this book. Jenna is a superb character, and it is so refreshing to have a female lead who is strong on the outside and the inside, and doesn't spend half the book mooning over the male lead, or stuck in the middle of a teen love triangle. Jenna is the Lara Croft of dystopian YA: independent, fierce, resourceful and seriously, seriously kick-ass. I also loved the all-too-believable future Britain that Emma Pass has crafted. Yes, there are one or two elements that stretch plausibility almost to its limits, but long-time readers of this blog will know that I read to escape, and suspension of disbelief is second nature to me. In fact, I would suggest anyone who struggles with this should stick to reading biographies.

If you like your stories fast and furious then ACID should move right to the top of your must-read list. Emma Pass has managed to fit more action scenes into her story than you will find in many a big budget action film, and yet the pace does not leave you gasping for air as she has this completely under control, giving us just enough plateaus to get our breath back before the action kicks in again.

ACID reads perfectly as a standalone novel, and for once I was really happy about this as I felt that this story needed to be brought to a satisfying conclusion, without any form of cliffhanger leaving us waiting for a sequel. The final chapter has the barest of hints that we may be treated to another Jenna Strong in the future, and I would certainly read it, but I would be just as happy reading anything in this kind of vein if Emma Pass is writing it, and it looks as we will have the opportunity to do just that, with the publication of The Fearless in 2014.

ACID was published on 25th April and thanks go to the ever wonderful people at Random House for sending me a copy. Go out and get your hands on one now - this is one of those books that I will be forcing into people's hands for some time to come.