News: Red House Children's Book Award shortlist announced

I received this press release over the weekend but unfortunately I have not had a chance to get it up on my blog until now as work has been stupid busy. However, as it is about one of my favourite book awards I still wanted to post about it, even if it is a good few hours after everyone else. I love the Red House Children's Book Award for one reason - the books on the list, and the eventual winner, are chosen by and voted for exclusively by young readers. Not librarians. Not teachers. Not stuffy journalists working for national newspapers. Kids. And let's face it - they know what they like better than we do most of the time. There are some outstanding books and authors on the list, I am sure you will agree.


Press release:


Some of the biggest names in children’s fiction are joined by exciting new authors and illustrators on the shortlist for this year’s Red House Children’s Book Award, the only national award for children’s books that is voted for entirely by children themselves. What could be a better indicator of the books that will tempt children away from computer games and DVDs than a list drawn up by young people across the country, which pits literary heavyweights like Morris Gleitzman and Patrick Ness against outstanding debut authors such as Annabel Pitcher?

Who will win? It’s up to children everywhere to decide. Voting is now open and the Red House Children’s Book Award would like to encourage every child in Britain to check out the shortlisted titles and vote for their favourite!

The Red House Children’s Book Award is highly respected by teachers, parents and librarians and has brought acclaim and strong sales to past winners such as J.K. Rowling, Andy Stanton, Malorie Blackman and Anthony Horowitz. The award has often been the first to recognise the future stars of children’s fiction and has the ability to turn popular authors into bestsellers.

Children nationwide are now invited to vote for their favourite of the ten shortlisted books. The category winners and the author of the best children’s book published in the 2011 nomination period will be announced – for the first time ever – at a glittering awards ceremony which takes place in the Queen Elizabeth Hall at the Southbank Centre in London on Saturday 18^th February 2012.

A dedicated website www.redhousechildrensbookaward.co.uk showcases all the shortlisted titles and featured authors. Any child can vote here for their favourite book until 20^th January 2012.

The full shortlist for the Red House Children’s Book Award 2012 is as follows:

Books for Younger Children

Rollo and Ruff and the Little Fluffy Bird by Mick Inkpen, published by Hodder

Don't Worry Douglas! by David Melling, published by Hodder

Peely Wally by Kali Stileman, published by Red Fox

Scruffy Bear and the Six White Mice by Chris Wormell, published by Jonathan Cape

Books for Younger Readers

One Dog and His Boy by Eva Ibbotson, published by Marion Lloyd Books

Sky Hawk by Gill Lewis, published by Oxford University Press

The Brilliant World of Tom Gates by Liz Pichon, published by Scholastic

Books for Older Readers

Grace by Morris Gleitzman, published by Puffin

A Monster Calls by Patrick Ness, published by Walker

My Sister Lives on the Mantelpiece by Annabel Pitcher, published by Orion

Additional Notes:

The Red House Children’s Book Award, now in its 32nd year, was founded in 1980 by author and librarian Pat Thompson and is owned and run by the Federation of Children’s Book Groups. The overall winner is awarded the Red House Children’s Book Award Silver Tree, of which they are the custodian for a year, and an engraved silver acorn which is theirs to keep. Each of the shortlisted authors and illustrators also receives a silver bookmark and an incredible portfolio of writing and artwork created by children inspired by their book. The ten titles on the shortlist for the Books for Younger Children, Books for Younger Readers and Books for Older Readers categories, as well as 40 highly recommended titles, were chosen by children who read and voted for the books at lively events organised nationwide by the Federation of Children’s Book Groups.

The Federation of Children’s Book Groups was set up as a charity by Anne Wood, the originator of the Teletubbies. It acts as an umbrella organisation for local Children’s Book Groups all over the UK. The groups organise a variety of activities including author events and other activities that promote the enjoyment of children’s books. The Federation also produces numerous specialist book lists, organises National Share-a-Story Month each May, National Non-Fiction Day each November and holds an annual conference each spring. www.fcbg.org.uk

Red House has created a community to which book-loving parents will want to belong and an environment in which parents can, with confidence, select the books their children will take with them on their reading journey. Red House sifts through the thousands of books published each month and promotes the best through its magazines and website, taking care to select books that children themselves really enjoy. Red House provides choice without confusion, education without boredom, value without obligation and strives to make books affordable to all, with over 1000 titles half price or less.

Haunted Blog Tour: Guest Post by Philip Reeve

Short stories are great! Especially those of the spooky kind. I remember reading through many an anthology of ghost stories as a child, but these days it seems that many young people prefer longer novels and there are only a minority of these compilations published each year. Back in September Andersen Press published Haunted, a superb anthology of ghost stories written by some of the biggest names in children's literature today. This book includes tales by the likes of Derek Landy (author of Skulduggery Pleasant), Robin Jarvis (author of Dancing Jax and many others), Joseph Delaney (author of the Spooks series), and many others, including the legend that is Philip Reeve. Yes, the Mortal Engines Philip Reeve! Thus I am more than a little excited that I am today hosting a guest post by Philip about his beloved Dartmoor. Not only that, there are also a couple of stunning photos taken by Sarah Reeve, as well as a special video produced by Philip's friend, author and illustrator Sarah McIntyre (look really closely - is that a ghost in one of the images in the video?).

Haunted Dartmoor

Dartmoor, where I live, is ghost country.  You might not notice it if you see it in the summertime, when bracken greens and softens the steep hillsides, and the moorland car-parks are filled with picnicking visitors and greedy ponies hoping for a crisp.  On wire racks outside the shops and cafes in Widecombe you’ might find little books of ‘Dartmoor Ghost Stories’, but they seem like pretty thin stuff: well-worn tales of phantom monks and spectral huntsmen, and the ‘hairy hands’ which are supposed to appear and grip the steering wheels of cars on the lonely road from Postbridge to Princetown, causing them to swerve off the road (that one always sounds to me like an excuse some local farmer invented after he drove into a ditch on his way home from the Warren House Inn).  These are processed ghosts, served up for the tourist industry, and unlikely to scare anybody nowadays.

But come the autumn, when the leaves turn and the nights draw in and the bones of the landscape start to show through the thinning trees, then the true, spooky nature of the moor shows too.  In low light or sudden mists it’s hard to tell the scale of things; those figures on the skyline that you think are a line of walkers turn out to be standing stones, set up some time in the bronze-age, forming an avenue that leads from nowhere to nowhere through the heather.  The tangled woods are full of secret movements.  In one of them, Wistman’s Wood, legend has it that the devil kennels his pack of ghostly hounds under the boulders which lie tumbled between the roots of the gnarled and stunted oak trees.  I don’t believe in the devil, or ghosts, or anything supernatural, but when you’re alone there in autumn it’s easy to imagine that there’s something down among the shaggy moss and leaf mould and dead branches, watching... It’s not unfriendly, perhaps, but it’s as old as the moor itself, and it’s definitely nothing human.  That’s where my story The Ghost Wood in the Haunted anthology comes from: it’s a little gust of autumn wind, blowing down off Dartmoor on Hallowe’en...

Photo by Sarah Reeve

Photo by Sarah Reeve

Video by Sarah McIntyre

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Huge thanks to Philip, Sarah and Sarah for taking the time to produce this piece for The Book Zone. However, before I go I guess you might be wanting to hear my thoughts about the anthology in more detail, so please read on for my brief review.


This book is perfect for Hallowe'en, and for any other time of the year if you love a spooky ghost story. I think what I liked most about Haunted was the way each of the eleven authors brought something very different to the mix. Some of the stories have touches of dark humour, some of them are straight pee-your-pants scary, but every single one of them makes for a great spooky read and Andersen Press have done a sterling job in collecting such a fantastic group of authors and their stories together.


I am still undecided as to which one is my favourite in the anthology. Philip's tale, The Ghost Wood, is not as scary as some of the others, but it made me think about the ancient power that could still lie within our land, despite all that has happened to it since the Industrial Revolution. Mal Peet's story, Good Boy, will have your heart in your mouth whilst reading it, worrying what will happen to main character Katie, and Eleanor Updale's The Ghost in the Machine is very clever and possibly unlike any ghost story you have ever read as it deals with haunting through the internet. For the 'sheer terror award' I think that Susan Cooper's  The Caretakers is definitely in with a shout of first prize, but if I was tied to chair and threatened by a particularly nasty ghost in order to help me make my  mind up I think my favourite of the anthology would have to be Derek Landy's Songs the Dead Sing. Readers of The Book Zone will know I am a huge fan of Derek's Skulduggery Pleasant series, for both its horror element and its brilliant use of humour, and both of these are present in his Haunted short story.


This book is a treat for fans of both short stories and horror fiction and if you have left it late to buy someone an All Hallow's Read then this is well worth buying. My thanks go to the good people at Andersen Press for sending me a copy and for arranging for Philip to write the guest post for us. If your appetite for all things spooky as been whetted then you can read a serialisation of Jamila Gavin's short story, The Blood Line, over at The Guardian by clicking here.

My All Hallow's Read by Steve Feasey (author of the Changeling series)

At the beginning of the month I blogged about Neil Gaiman's fantastic All Hallow's Read idea. Judging by the number of times it is getting mentioned on Twitter it sounds as if the 'tradition' is really taking off this year, especially over in the US. My All Hallow's Reads gifts have been dispatched to various households around the UK, and I know that many others have been doing the same. Perhaps we can make this just as big on this side of the Atlantic over the next few years.

What would you All Hallow's Read be? Changeling author Steve Feasey has kindly joined us here on The Book Zone to tell us about his choice.

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The book that I’m going to recommend for All Hallow’s Read is Falling Angel by William Hjortsberg. I read this book while on a caravanning holiday with my family when I was about 14. I was reading a mixture of books at the time, and I thought this would be the perfect thing to bridge the gap between my love of horror and my newly blossoming liking for crime thrillers.

During the holiday, my family would often go to the club on the caravan site, and having seen my mother do the Birdy Song dance once was enough to make this teenage boy decide to boycott the place for the remainder of the stay. I found myself alone in the caravan with Hjortsberg’s book. To say the experience of reading it alone there, with the sea wind rocking the entire structure back and forth, added to the fear the book instilled in me would be the understatement of the century!

It’s a brilliantly written novel, and having seen the film adaptation, Angel Heart, since reading it, I was extremely glad that the book came to me before the film. Written in a Chandleresque, hard-boiled detective novel style, the basic premise is that a private eye is hired by an enigmatic and sinister client to find a missing person. The investigation quickly turns into a living nightmare as our hero, Harold Angel, gets drawn into a world of dark forces that he can’t even begin to understand.

The twist at the end is, for those who haven’t seen the film, simply brilliant.

Not an easy read, but well worth the effort for lovers of dark fiction.

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